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Series II - Nº 26 - 2008 - Conferences Inter-Art and Intercultural Dialogues

ISSN: 0873-0628


Inter-Art and Intercultural Dialogues

Introductory Note 9

Knowing Works of Art
Derek Attridge 13

"Framed-up by Frame": Deception and Point of View in Peter Greenaway's The Draughtman's Contract
Mário Avelar 35

Gwen Harwood: An Introductory Approach
Mário Vitor Bastos 55

Painting What is not there: Vision and Narrative in Mavis Gallant's Story "The Doctor"
Marijke Boucherie 71

Figuring the Self: "Old Fathers" and Old Masters in Two Contemporary Irish Poets
Rui Carvalho Homem 89

Creative Creatures and their Cration Scenes: Jennifer Johnston's This is not a Novel
Teresa Casal 109

Reading a Book, Reading a Film: A Portrait of Youth in "My Son the Fanatic"
Lígia Costa125

Words as Game: The Writing and Reading of Poetry
Isabel Fernandes 137

A Kiss is just a Kiss: An MI Approach to Different Art Forms
Eduarda Melo Cabrita and Maria Luísa Falcão 153

The sixteenth-century ideological turning point in england: an approach to Mary Tudor's rule
Adelaide Meira Serras


De Harry Coomer a Hari Kumar. A Raj Nostalgia e o Tradutor de Macaulay num Personagem de Paul Scott
Cristina Baptista 167

Garrett e Ossian
Gerald Bãr 197
A primeira página de jornais portugueses à luz da análise multimodal
Flaviane Faria Carvalho 221

Millicent Garrett Fawcett: Writing in the Deffence of Women's Emancipation
Paula Pinto Duarte 245

More than a Coincidence? The Pre-Raphaelites and the Sibyl Vane Subplot of The Picture of Dorian Gray
Emily Eells 255

Mona Caird's Gendered Work: A Go-Between Negotiating Past and Future
Marília Martins Gil 279


Fábio Lopes da Silva & Kanavillil Rajagopalan (Orgs.) A Linguística que nos Faz Falhar - Investigação Crítica. São Paulo: Parábola Editorial.
Marta Alexandre 293




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