Linha de Investigação: Literaturas e Culturas de Expressão Inglesa: Diálogos Interartes e Interculturais (GI4)
Categoria profissional: Leitor

Projectos do CEAUL em que se encontra envolvido:

• The manifesto in English art and literature since 1870

Graus académicos:

• Ph.D., English Literature, University of Glasgow, 2005
• M.Phil., Anglo-Irish Literature, Trinity College, Dublin, 1999
• B.A. (Hons), English, McGill University, 1996

Publicações:

Livro:

• Key Concepts in Modernist Literature (Palgrave Macmillan, 2009)

Artigos:ing 2012

• ‘Manifestos at Dawn: Nation, City, and Self in Patrick Geddes and William Sharp’s Evergreen’, IJSL: International Journal for Scottish Literature (forthcoming 2012).
• ‘Manifesto Form: The Medium and the Message.’ Cine Qua Non 5 (forthcoming).
• ‘Wyndham Lewis and the Arrival of the Avant-Garde Manifesto in England, 1913-1922.’ Journal of Wyndham Lewis Studies 2 (2011).
• "Let us find our serious heads”: Placing the Manifesto in Canadian Literature’, Anglo-Saxónica 29 (forthcoming).
• ‘Machines to generate desire: Avant-garde Manifestos and Guerrilla Advertising’, Cine Qua Non 4 (Winter-Spring 2011).
• ‘How to Write a Manifesto’, Cine Qua Non 3 (Summer-Fall 2010).
• 'Making Enemies: Whistler, the Manifesto, and Reactionary Modernism’, James McNeill Whistler in Context (Freer Gallery of Art Occasional Papers, Smithsonian Institution 2008).
• 'Blasting After Blast: Wyndham Lewis’s Late Manifestos’, Journal of Modern Literature 31.1 (Fall 2007).

Recensões críticas:

• John Havelda, Isabel Patim and Manuel Portela, eds, PULLLLLLLLLLL: Poesia Contemporânea do Canadá (Antígona, 2010), in Anglo-Saxónica 29 (forthcoming).
• Edward P. Comentale and Andrzej Gasiorek, eds., T. E. Hulme and the Question of Modernism (Ashgate, 2006), in Modernism/Modernity 14.3 (2007): 575-577.
• Lucy McDiarmid, The Irish Art of Controversy (Cornell UP, 2005), in Modernism/Modernity 13.3 (2006): 580-582.
• Martin Puchner, Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton UP, 2005), in European Journal of English Studies 10.3 (2006): 308-309.
• Andrew Hoberek, The Twilight of the Middle Class: Post-World War II American Fiction and White-Collar Work (Princeton UP, 2005), in American Studies Today Online (2006): http://www.americansc.org.uk/Reviews/Hoberek.htm.

Internacionalização:

• ‘“Harmless Eden”: Landscape and Empire in D. H. Lawrence’s Kangaroo’, Life Down Under: An International Conference on Australian Literature and Culture, University of Lisbon, February 14-15, 2011.
• ‘Arctic Blasts: Manifestos in the Canadian National Literature Debate’, Modernist Studies Association 12^th Annual Conference, Victoria, Canada, November 11-14, 2010.
• ‘“To make Canada a nation yet”: Manifestos in the National Literature Debate’, Reasserting the National Conference, University of Toronto, May 14-15, 2010.
• ‘Putting Edinburgh First? Questions of Identity in Patrick Geddes and William Sharp’s Evergreen’, Literary Professions Conference, University of Edinburgh, June 4, 2005.
• ‘Whistler’s “Ten O’Clock” and the Origins of the Manifesto in British Modernism’, Whistler Centenary Conference, University of Glasgow, September 3-6, 2003
• ‘Conspiracy and the Manifesto’, Conspiracy and Paranoia Conference, University College London, February 27, 2003
• ‘Movements Made Manifest: The Prehistory of the Avant-Garde Manifesto’, Avant-Garde / Neo-Avant-Garde Conference, University of Edinburgh, March 22-24, 2002

Outros elementos curriculares:

• Organizing Committee, Life Down Under: An International Conference on Australian Literature and Culture, University of Lisbon, February 14-15, 2011.
• Organizing Committee, ‘From Sea to Sea’: An International Conference on Canadian Studies, University of Lisbon, November 18-20, 2009.