Projectos do CEAUL em que se encontra envolvida:
- “O Império Britânico: Ideologias, Perspetivas, Perceções”
Graus académicos:
- Licenciatura em Línguas e Literaturas Modernas, Estudos Portugueses e Ingleses (Universidade de Coimbra, 1999)
- Mestrado em Estudos Anglísticos, Cultura Inglesa (Universidade de Lisboa, 2005)
- Doutoramento em Estudos de Cultura, Cultura Inglesa (Universidade de Lisboa, 2011)
Publicações:
Livros:
- O Passado em Exibição: Leituras Pós-modernistas da Época Vitoriana. Chamusca: Cosmos, 2011.
- Salman Rushdie in the Cultural Marketplace. London and Burlington, VT: Ashgate, 2013.
- (Co-org. Lisa Lau) Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. London and New York: Routledge, 2011.
- (Org.) Salman Rushdie and Visual Culture: Celebrating Impunity, Disrupting Borders. New York and London: Routledge, 2012.
- (Co-org. Cristina Baptista) Reviewing Imperial Conflicts. Newcastle upon Tyne, UK: Cambridge Scholars Publishing (contratado).
Artigos:
- “Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger,” The Journal of Commonwealth Literature, 45.2, junho de 2010, pp. 275-293.
- “Showcasing India Unshining: film tourism in Danny Boyle’s Slumdog Millionaire,” Third Text, 105, jullho de 2010, pp. 471-479.
- (with Lisa Lau) “Authorities of representation: speaking to and speaking for – a response to Barbara Korte,” Connotations, 22.1, janeiro de 2013.
- (“Guest editor”) Número especial “Walls and fortresses: borderscapes and archipelagos of exception in the cinematic imaginary,” Transnational Cinemas (publicação em novembro de 2015).
Capítulos de livros:
- “Heritage revisited: the cultural politics of heritage in Goodness Gracious Me,” in Cláudia Álvares (org.), Representing Culture: Essays on Identity, Visuality and Technology. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2008, pp. 119-129.
- “Prizing Sameness? Kiran Desai and the Booker Prize,” in Sunita Sinha e Brian Reynolds (orgs.), Critical Responses to Kiran Desai. New Delhi: Atlantic, 2009, pp. 21-31.
- “‘Artworks, unlike terrorists, change nothing’: Salman Rushdie and September 11,” in Cara Cilano (org.), From Solidarity to Schisms: 9/11 and After in Fiction and Film from Outside the US. Amsterdam and New York: Rodopi, 2009, pp. 93-114.
- “Cultural Warfare Redux: Salman Rushdie’s Knighthood,” in Helena Gonçalves da Silva et al. (orgs.), Conflict, Memory Transfers and the Reshaping of Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010, pp. 218-230.
- “Salman Rushdie Superstar: the making of postcolonial literary stardom” in Rainer Emig e Oliver Lindner (orgs.), Commodifying (Post-) Colonialism. Amsterdam and New York: Rodopi, 2010, pp. 219-238.
- “‘Beware Behalfies!’ Contradictory Affiliations in Salman Rushdie’s Step Across This Line,” in Manuela Sanches et al (orgs.), Europe in Black and White: Immigration, Race, and Identity in the “Old Continent.” Bristol: Intellect, 2011, pp. 67-76.
- (com Lisa Lau) “Re-Orientalism: A New Manifestation of Orientalism,” in Lisa Lau e Ana Mendes (orgs.), Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. London and New York: Routledge, 2011, pp. 3-16.
- “Re-Orientalism is on TV: From Salman Rushdie’s The Aliens Show to The Kumars at No. 42,” in Lisa Lau e Ana Mendes (orgs.), Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. London and New York: Routledge, 2011, pp. 91-104.
- “Orpheus and Eurydice as Indian Rock-and-roll Superstars: Salman Rushdie’s The Ground Beneath Her Feet,” in Cristina M. Gámez-Fernández e Antonia Navarro-Tejero (orgs.), India in the World. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011, pp. 203-210.
- “Salman Rushdie’s ‘Epico-Mythico-Tragico-Comico-Super-Sexy-High-Masala-Art,’ or Considerations on Undisciplining Boundaries,” in Ana Mendes (org.), Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. New York and London: Routledge, 2012, pp. 1-11.
- “Bombay/‘Wombay’: Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet,” in Ana Mendes (org.), Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. New York and London: Routledge, 2012, pp. 158-181.
- “Race in the Marketplace: Postmodern Passing and Ali G,” in Julie Cary Nerad (org.), Passing Interest: Racial Passing in U.S. Fiction, Memoirs, Television, and Film, 1990-2010. New York: SUNY Press (no prelo).
Internacionalização:
Comunicações em encontros científicos:
- “(Read)dressing the Victorian past in the filmic adaptation of A.S. Byatt’s Possession,” conferência “Survivals: The Past in the Present,” Universidade de Cardiff, 10 e 11 de setembro de 2005.
- “Mira Nair at the bazaar: Kama Sutra and Indo-chic,” conferência “Postcolonial Divergences and Convergences,” Universidade de Toulouse-Le Mirail, 16 a 18 de março de 2006.
- “Global visions or the business of culture: the internet industry in Salman Rushdie’s Fury”, conferência “Global States”, Universidade da Califórnia, Irvine, 5 e 6 de maio de 2006.
- “’A techno state of mind’: Salman Rushdie and technophilia,” conferência “Peripheral Cultures: a Philological Perspective,” Universidade da Corunha, 15 a 17 de novembro de 2006.
- “Liminal positionings: from The Aliens Show to The Kumars at No. 42,” conferência “Transnational Perspectives: Intersections of Race, Ethnicity, and Religion,” Universidade de Bogaziçi, Istambul, 15 a 17 de novembro de 2006.
- “Orpheus and Eurydice as Indian rock-and-roll superstars: Salman Rushdie’s The Ground Beneath Her Feet,” conferência “India in the World,” Universidade de Cordoba, 7 a 9 de março de 2007.
- “The brown culture industry: Theodor Adorno meets Talvin Singh,” conferência “Cultural Studies Now,” Universidade de East London, 19 a 22 de julho de 2007.
- “‘Truly a velluminous history!’: the Bard in postcolonial space,” conferência “Colonial and Postcolonial Spaces,” Universidade de Kingston, Londres, 6 e 7 de setembro de 2007.
- “Salman Rushdie Superstar: the making of postcolonial literary stardom,” conferência “Commodifying (Post-)Colonialism,” Universidade de Regensburg, Alemanha, 22 a 25 de maio de 2008.
- “Bombay/Wombay through Benjaminian lenses,” conferência “Through the Eyes of the Other,” Universidade de Madras, Índia, 18 a 20 de dezembro de 2008.
- “White Tigers and Slumdogs: Dark India as Spectacle,” conferência “The New Exotic? Postcolonialism and Globalization,” Universidade de Otago, Nova Zelândia, 24 a 26 de junho de 2009.
- "'India belongs only to me': reworking Mother India," conferência "2010 Crossroads for Cultural Studies," Association for Cultural Studies, Universidade de Lingnan, Hong Kong, 17 a 21 de junho de 2010.
- "Empire revised and revisited: the crossover Bollywood heritage film," conferência "Postcolonialism, Economies, Crises: Interdisciplinary Perspectives," 2nd Biennal Conference of the Postcolonial Studies Association, Universidade de Birmingham, 7 a 8 de julho de 2011.
- “’I pity those people who dream about Europe’: a comparative reading of Stephen Frears’s Dirty Pretty Things and Damjan Kozole’s Spare Parts”, conferência “Migration, Memory, and Place,” Danish Network for Cultural Memory Studies & Network for Migration and Culture, Universidade de Copenhaga, Arken Museum of Modern Art, Ishøj, 5 a 7 de dezembro de 2012.
Outros Elementos Curriculares:
- Prémio de Ensaio Literário Fernando de Mello Moser Edições Cosmos/ APEAA (2008).
- Formadora na área de Didácticas Específicas (Inglês) - CCPFC/RFO-12687/01.
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